A popular film about the skills of Czech glassmakers.
Social & External
The people behind it
Vladimír Šmeral
Commentary (voice)
Oldřich Žák
Himself
For nearly half a century, Dale Chihuly has traveled the world, creating and installing his artwork. From sculptures to large-scale installations, his blown-glass works revolutionized the American studio glass movement. In Short Cuts III, Chihuly's role as both artist and teacher is revealed, uncovering the stories and the process behind some of his most celebrated projects, from working with students in his hometown of Tacoma, Washington, to exhibitions in prominent botanic gardens worldwide.
Short film on the manufacture of glassware
Head gaffer and founder of Wimberley Glassworks Tim de Jong, Glassblower Wes Sweetser and Assistant Glassblower Jaclyn Ritter, shed light on why they're so passionate about glassblowing, the adversity that comes with being an artist and the importance of community.
This short documentary, shot in the glass factories of Leerdam and Schiedam, demonstrates how glass blowers do their work. But thanks to the superbly edited ballet of working hands and the sequence of mechanical motions of the engines, is it especially a cinematic tour de force. That the industry can’t do without man’s involvement is shown in the scene where we hear the voice of Haanstra himself counting the bottles on the conveyor belt, until one bottle breaks…
The Pilchuck Glass School outside Seattle has been going for 43 years. Started by Dale Chihuly, when glass in America was at its infancy. This school is responsible for making the US Studio Glass movement what it is today. It's an international institution now, bringing students from all over the world. It started in 1971, during the peace movements, Flower Power and war in Vietnam This documentary tells the story of it's beginnings, and how it's now made the Pacific NW, the largest glass art center in the world.
The history and present of Czech glass and its use in various fields of human activity.
The expressive power of a craft that shapes generations. Directed by Matos Barbosa, Vidros is a striking work that captures, with rare sensitivity, the harshness of labor, the intensity of hard work, and the beauty of blown glass in Oliveira de Azeméis. Set to the immersive rhythm of Django Reinhardt’s jazz, the film transforms repetitive gestures, heat, and the fragility of the material into pure cinematic expression, preserving the memory of a craft that spans generations. More than a documentary, Vidros immortalizes a memory—a visual testimony to the dedication, rhythm, and poetry hidden within the art of glassmaking, seen through the eyes of our filmmaker.
The man who made glassblowing an American art form meets the challenge of a lifetime with Stephen Wynn's 1998 commission of the world's largest glass sculpture. Watch as Chihuly creates, for the lobby of the luxurious Bellagio Resort, Fiori di Como, an explosion of color and light featuring over 2,000 "flowers" hand-blown from molten glass.
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Based on the novel by Maria Gripe, this is the story of two children, Klas and Klara, growing up in the poor Swedish countryside of the mid-19th century. Their father Albert is a glass-blower, famous for his beautiful vases, but still unable to earn enough money for his wife Sofia and the children. At a spring fair a distinguished gentleman arrives and buys all of Albert's glassware. After this nothing will be the same again. Klas and Klara are kidnapped and taken to a strange castle...
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Stand takes viewers on a journey through the waters of British Columbia's west coast. Under threat by the proposed Enbridge Northern Gateway pipeline and tanker route is a coastline of immense beauty, pristine ecosystems, and a way of life rich in culture and history. Through the efforts of expedition stand-up paddler Norm Hann, an aboriginal high school class building their own stand-up paddleboards as a form of protest, and the powerful surfing of iconic west coast native Raph Bruhwiler, the diversity of people, landscape and wildlife that would be affected by an oil spill is articulated. Stand takes you to the core of the issue and unfurls the soul of B.C.'s west coast one paddle stroke at a time.
The film is a portrait of Yorgos Tzinoudis, a painter of pop art. We begin at his car and go on to the covers of Soul magazine, his refrigerator, his paintings... A restless spirit, he tries to capture in his paintings human alienation and oppression, the stress of the city which none of us are immune to. His paintings are “weird”; skulls and cockroaches, but also a playing card are his favourite themes, through which he satirizes reality in an allusive way. The film follows him at work, at the Wine Museum at the Gerovassiliou vineyard, at his house/studio, or as he wanders around the city. His friends and colleagues talk about him, until finally we let him take off again, far from Thessaloniki, on new journeys of the mind and soul. (The film is an episode of the documentary series Portraits of Tomorrow.)
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