In this engrossing and hilarious documentary, Wilson puts it all on the line to investigate the televised performances of justice and New York (the latter by Los Angeles, of course).
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This often confronting documentary observes a Māori restorative justice model through the eyes of straight-talking Mike Hinton, manager of Restorative Justice at Manukau Urban Māori Authority. The bringing together of victims (including wider whānau) and offenders may offer an alternate way forward for "a criminal justice system failing too many and costing too much”. Restoring Hope kicked off Māori Television’s 2013 season of Sunday night documentaries. In a Herald On Sunday preview, Sarah Lang argued it was “enough to restore hope in local documentary-making.” I’m in an arena where people have high emotions, they get stressed and pressured. I’m reasonably confident that I can avoid situations where I’ll be unsafe. I don’t have any death wish — I’ve got a game of golf tomorrow. – Mike Hinton, on the dangers of the job
For over thirty years, three women have languished in Missouri State prison under unjust sentences for killing their abusive husbands. Denied the opportunity to enter the abuse into evidence, each of the women represents a system broken by outdated and media-sensationalized stereotypes. When a greater understanding of the "battered" syndrome change legal practices in 2000, Missouri's Governor crafts a new law demanding the parole board reevaluate each woman's case.
Three women in a re-entry house experience the reality of reintegration and attempt to acclimate to life after being released from incarceration and battling addiction.
Six years ago, Charity Jimohe left Nigeria for France. After ten months of forced prostitution to pay off a debt of 35,000 euros contracted with the traffickers who had brought her here, she walked through the door of a police station in Nantes to denounce the members of her prostitution ring.
Kim Kardashian West works to shine a light on stories of people she believes have paid their debt to society while also bringing awareness to America’s growing problem with mass incarceration.
Tonga is now home to hundreds of deportees — permanent residents of New Zealand, Australia or the United States who committed serious crimes and did jailtime, then were put on a plane to start a new life in an unfamiliar culture. The lucky ones have family land, or a place to stay. But many start from scratch and without institutional support, old bad habits can kick in.
The Miami-Dade Community Mental Health Project comes to life in this documentary, following a team of dedicated public servants working through the courts to steer people with mental illness on a path from incarceration to recovery.
When a young woman is shot by an undocumented immigrant on Pier 14 in San Francisco, the incident ignites a political and media furor that culminates in Donald Trump’s election as President of the United States. In the eye of this storm, two public defenders fight to reveal the truth.
NCR: Not Criminally Responsible tells the story of a troubled young man who stabbed a complete stranger 6 times in a crowded shopping mall while gripped by psychosis. Twelve years later, his victim, who miraculously survived, is terrified to learn that he's out, living in the community under supervision. He's applying for an absolute discharge, and if he succeeds, he'll no longer be required to take the anti-psychotic drugs that control his mental illness. With unprecedented access to the patient, the victim, and the mental institution, the film looks at both sides of the debate and puts a human face on the complex ethical issues raised.
Shocking documentary centering on victims of violent crime who seek to get revenge on their assailants.
A courtroom in Milan is filled with people brought together by random selection. Long interviews lie ahead. Based on the interviews, some of them will be chosen for jury duty. However, The Call doesn’t focus on judicial proceedings, but rather considers people’s sense of justice through the conversations in the waiting room.
Tough new sentencing laws across the U.S. are resulting in an influx of prisoners, creating massive overcrowding. Many States are responding to this crisis by contracting out the management and liability of prisoners to private multi-national corporations.
MILWAUKEE 53206 chronicles the lives of those living in the ZIP code that incarcerates the highest percentage of black men in America, up to 62%. Through the intimate stories of three 53206 residents, we witness the high toll that mass incarceration takes on individuals and families that make up the community. The film examines Milwaukee’s ZIP code 53206 to illuminate the story of people from across the United States who live with the daily affects of mass incarceration.
Bestselling author and influential filmmaker Dinesh D’Souza reveals the sordid truth about Hillary Clinton and the secret history of the Democratic Party. This important and controversial film releases at a critical time leading up to the 2016 Presidential campaign and challenges the state of American politics.
In prisons ruled by toxic masculinity, dancing is an absolute taboo. But at Lancaster’s A-Yard, near Los Angeles, a group of young men, willing to take a chance to be mocked in the yard, start a dance class led by French choreographer Dimitri Chamblas. This class quickly becomes an intoxicating escape from their grim reality so they decide to create a dance show. In this exceptional context, the inmates engage with overwhelming sincerity, evoking their childhood, ganglife, the crimes, the prison, and their desire for transformation. Beyond damaged lives and a prison system on the edge of the abyss, DANCING IN A-YARD explores redemption and the capacity of human beings to reinvent themselves, when given a chance. And more importantly, how art and introspection can help see the light.
North Philadelphia, PA – Kev, El and Andy are three men united by one struggle: they are trying to defy gravity. As part of the 700,000 prisoners released into society every year, they find themselves faced with a chilling outlook: 67% of ex-offenders re-offend within three years. What explains this invisible force that keeps former inmates in a seemingly unending cycle of incarceration? Filmed on the street over the course of two years, Pull of Gravity is an intimate portrait of these three men that confronts head-on the gritty details of lives cut short by poverty and drugs, where dealing is seen as the only route to economic prosperity, where using offers an escape from powerlessness, and where prison is too often the next stop. The film’s unfiltered lense captures its subjects as they lay bare their stories, fears, and tentative dreams.
This film deals with the administration of justice on the local level in Canada, as seen in the activities of Roderick Haig-Brown, fisherman, writer and magistrate in rural British Columbia. A portrayal of a few of the typical cases on his roster indicates the variety of criminal offences which come under the jurisdiction of a country magistrate's court. In showing the discharge of his responsibilities the film reveals the magistrate's important position in the community, the constant demands on his time, and the integrity of judgment required to uphold the law on the one hand and to act in executive restraint of police powers on the other. Based on parts of the book Measure of the Year by Roderick Haig-Brown.
By the end of his illustrious career, Deputy U.S. Marshal Bass Reeves may well have been the preeminent lawman of the Old West. He brought upwards of 3,000 outlaws to justice and served in law enforcement for 32 years during Reconstruction after the Civil War. His story is one of an escape to freedom and the dangers of the West for a former slave who rose to become a legend of the law. Join us as we go in search of Bass Reeves.
Every year, millions of Americans are incarcerated before even being convicted of a crime - all because they can't afford to post bail. How did we get here? “Trapped: Cash Bail in America” shines a light on our deeply flawed criminal justice system and the activists working to reform it. This new documentary explores the growing movement to end the inherent economic and racial inequalities of cash bail while highlighting victims impacted by an unjust system, the tireless campaigners fighting for criminal justice reform, and a bail industry lobbying to maintain the status quo.
Directed by Oscar-nominated and NAACP Image Award winner David Massey, this dynamic documentary explores why so many unarmed black people have been targeted and killed by police officers. The filmmakers talk to legal experts, activists and law enforcement officials who discuss the inequality within our criminal justice system and who confront the crucial question of how to prevent more violence in this country, including Black on Black deaths. As the Black Lives Matter movement - and citizens nationwide - question the accountability of our justice system in cases of police violence, When Justice Isn't Just is an essential addition to the ongoing discussion about reform and renewal.
Bad Grandpa .5 gives you a whole new perspective on the world of Irving Zisman with bonus scenes and pranks also featuring Spike Jonze as "Gloria" and Catherine Keener as Irving's wife "Ellie", plus a look at the evolution of Johnny Knoxville's naughty alter-ego, the makeup effects, and a behind-the-scenes peek at the idiocy it takes to make a hidden camera movie in public.
What does it mean to be a successful comedian? How far can the boundaries of taste be pushed to get a laugh? Four top comics, Ricky Gervais, Louis C.K., Jerry Seinfeld and Chris Rock, discuss and debate their craft.
A look at the work of two stand-up comics, Jerry Seinfeld and a lesser-known newcomer, detailing the effort and frustration behind putting together a successful act and career while living a life on the road.
One hundred superstar comedians tell the same very, VERY dirty, filthy joke--one shared privately by comics since Vaudeville.
Kevin, Joe and Nick face down quick wits and deep cuts in this comedy special featuring Pete Davidson, John Legend and more. Hosted by Kenan Thompson.
The comedic stylings of four sort-of famous funnymen are brought to the big screen courtesy of this 2002 documentary.
A behind-the-scenes mockumentary of Tropic Thunder.
Bruce Willis goes from "Die Hard" to dead on arrival as some of the biggest names in entertainment serve up punches of their own to Hollywood's go-to action star. And with Roast Master Joseph Gordon-Levitt at the helm, nobody is leaving the dais unscathed.
Comedy Central's best roasters and stand up comedians take a whack at actor/model Pamela Anderson.
Johnny Knoxville, Bam Margera, Steve-O, Wee Man and the rest of their fearless and foolhardy friends take part in another round of outrageous pranks and stunts. In addition to standing in the path of a charging bull, launching themselves into the air and crashing through various objects, the guys perform in segments such as "Sweatsuit Cocktail," "Beehive Tetherball" and "Lamborghini Tooth Pull."
An inspiring, triumphant and wickedly funny portrait of one of comedy’s most enigmatic and important figures, CALL ME LUCKY tells the story of Barry Crimmins, a beer-swilling, politically outspoken and whip-smart comic whose efforts in the 70s and 80s fostered the talents of the next generation of standup comedians. But beneath Crimmins’ gruff, hard-drinking, curmudgeonly persona lay an undercurrent of rage stemming from his long-suppressed and horrific abuse as a child – a rage that eventually found its way out of the comedy clubs and television shows and into the political arena.
The incomparable Bruce Springsteen performs his critically acclaimed latest album and muses on life, rock, and the American dream, in this intimate and personal concert film co-directed by Thom Zimny and Springsteen himself.
An exposé of comic proportions that only Chris Rock could pull off, GOOD HAIR visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore the way hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of the black community.
Time to hassle the Hoff at the rudest, raunchiest television event of the year--The Comedy Central Roast of David Hasselhoff. From running in slo-mo on the beach to inspiring Germany with the power of cheesy pop--it's almost too easy.
Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
The deleted scenes and additional stunts and sketches that originally were not presented in the original series.
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
The house is rockin' and the laughs are rollin' as comedians Steve Harvey (The Steve Harvey Show), D.L. Hughley (The Hughleys), Cedric The Entertainer (The Steve Harvey Show) and Bernie Mac (Life) meet in this riotously comedy summit directed by Spike Lee.
Fresh off the heels of appearing in movies like Superhero Movie and The 40 Year-Old Virgin, fast-talking comedian Kevin Hart stars in his second live stand-up performance in Cleveland, Ohio, where he makes fun of everything and everybody - especially himself.
Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."