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A coming-of-age story about a high-school girl who wants to use magic, featuring the 11-member experimental band Vampillia
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
There is nothing left to do but complain.
Beyond all human restraint lies one's lugubrious layers of paint.
Circuit bent gain controller run into a CRT TV
"Frozen Jumper" begins in hit-and-run style with a pulsating textural noise. Flickering, nearly rectangular patterns join on the image plane, at first in black-and-white, bringing to mind the sprocket holes in celluloid film and, not least due to the lack of geometric precision, giving the impression of a pre-digital origin. As the soundtrack rattles on in a minimalistic way, the pattern’s twitchy dance is submerged in various warm hues such as yellow, pink, light green and light blue, which in a different rhythm and to a more agreeable music could be perceived as the signature of slightly retro psychedelia.
Wax and wane until there is naught but boring pain.
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.
A film in five different sections, each containing a different soundscape by Ostrowski. Hand painted film, intense exposure, morphing textures and shapes into a seamless whole; geometrical games sabotaging themselves; and the incessant lure of the abstract paint drift. The soundscapes, of course, build up like fountains of picture, oscillating between contemplative sculptures with electronically manipulated strings and harsh noise attacks on our senses. Despite the use of sound as a central filmic element, Cyanonide stands as a proof of the enduring influence of Brakhage on american avant-film.
A film that places the bright and dark sides of life close together. From an understatement beginning, the movie drives up to an ecstatic highlight with a love act between two young people. The orgasm becomes an enormous image flow into the crematorium's death machine.
As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
This cacophony runs over me, over everything I see, everything I want to see: it's me.
Performance video about a holiday romance at St Ives, Cornwall.
It's time the times met each other over & over.
Don't ask me why, but I feel we're about to cry trying.
Say Om as you reach home only to realize you never really left/stopped saying Om.
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
Rather pointless, rather stilted, fetid; not what we want us going after.
As years and years go by, a tiny civilization makes its way upwards.
A life in one-hundred-sixty-four moments.
In the town of Normal Valley, an eccentric magician named Maestro entertains the local children every day in his spooky mansion. One stormy night, the town's mayor leads a group of angry citizens to the mansion in an attempt to run Maestro out of town.
A celebration of the musical work of a group of session musicians known as "The Wrecking Crew." a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys, and Bing Crosby.
Michael Jackson's Dangerous album once again rocketed the global superstar to mega-platinum success! "Dangerous - The Short Films" captures the visual and musical highlights of his most recent string of hit singles. As well as extensive behind the scenes profiles of the making of Michael's state of the art short films.
A pair of star-crossed dancers in New York find themselves at the center of a bitter rivalry between their brothers' underground dance clubs.
Taylor Swift takes the stage in Dallas for the Reputation Stadium Tour and celebrates a monumental night of music, memories and visual magic.
The brothers Gibb perform their greatest hits from the 60's, 70's, 80's and 90's including many songs written for and made hits by other artists but never recorded by the Bee Gees themselves.
Film telling the untold story of John Lennon's 1971 album Imagine, exploring the creative collaboration between Lennon and Yoko Ono and featuring interviews and never-seen-before footage.
A look at the work of director Michel Gondry, through his music videos, short films, and commercials.
A down-on-his-luck coach is hired to prepare a team of the best American dancers for an international tournament that attracts all the best crews from around the world, but the Americans haven't won in fifteen years.
Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter only to find her aspirations sidelined by the accolades and notoriety she receives at her "day" job as a barmaid at Coyote Ugly. The "Coyotes" as they are affectionately called tantalize customers and the media alike with their outrageous antics, making Coyote Ugly the watering hole for guys on the prowl.
Nearly 2 hours of the short films that made HIStory... Including never before released short films.
In his hometown of Toronto, Shawn Mendes pours his heart out on stage with a live performance in a stadium packed with adoring fans.
In 1950s Alabama, the owner of the Honeydripper juke joint finds his business dropping off and against his better judgment, hires a young electric guitarist in a last ditch effort to draw crowds during harvest time.
A portrait of Keith Richards that takes us on a journey to discover the genesis of his sound as a songwriter, guitarist and performer.
When the 'Big Four' - Metallica, Slayer, Megadeth and Anthrax - shared a stage together on 22nd June 2010 in Sofia, Bulgaria, the show was beamed live into over 550 theatres worldwide via satellite in a special HD cinematic event. The Big Four Live from Sofia includes full shows from all four bands as well as behind the scenes and interview footage. The legendary concert from the Sonisphere Festival was one of only 7 shows across Europe when the four monsters of metal shared a stage for the first time.
Welcome to the Videos is a DVD released in 1998 featuring music videos made by Guns N' Roses between 1987 and 1994.
Examines the life and career of singer Whitney Houston. Features never-before-seen archival footage, exclusive recordings, rare performances and interviews with the people who knew her best.
Martin Scorsese's documentary intertwines footage from The Band's incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Van Morrison, and other rock legends.
Hitman Returns was filmed before a sold out crowd last year at the Mandalay Bay in Las Vegas. The lineup of talent, lead by Foster as maestro of ceremonies, includes performances by Seal, Donna Summer, Martina McBride, Earth, Wind & Fire, Natalie Cole, Ruben Studdard, All-4-One,'Glee' star Charice, Chaka Khan, Jackie Evancho, Lara Fabian and other artists whose careers have been touched by Foster, a 15-time Grammy winning producer and songwriter.
