This film is depicts early lesbian sexuality, using reenacted scenes from the experience of a 12-year old girl as the platform for a meditation on forbidden desire, transgression, and Lacanian psychoanalytic concepts of identity formation. Raw adolescent memories counterpoint staged scenes, exploring mechanisms of power and submission.

Movie

6.9

1980

Breaking Glass

Breaking Glass is the story of punk singer Kate and her meteoric rise to stardom. Starting out in the rock pubs of London, Kate, assisted by her manager Danny, becomes a huge star overnight. Once at the top the pressure is immense as Kate's band are squeezed out and she is left to cope alone in the spotlight.

Movie

2014

The Screen Tests of Cosmotropia de Xam

THE SCREEN TESTS OF COSMOTROPIA DE XAM A collection of 12 screen tests from all over the world, based on a direction sheet of Cosmotropia de Xam. Starring: Elzabeth Hart of Psychic Ills, How I Quit Crack and Aura, Carmen Incarnadine, Shivabel, Black Madeleine, Jenni Hensler, Agnes Pándy, Suzy Poling, Omebi, Sarah Toon and Owleyes, Dania Myers, ∆AIMON

Movie

7.8

1929

Man with a Movie Camera

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Movie

6.3

1979

Rock 'n' Roll High School

A group of rock-music-loving students, with the help of the Ramones, take over their school to combat its newly installed oppressive administration.

Movie

2019

Sold

A film about friendship and the occasional loneliness.

Movie

8.0

2005

Green Day: Bullet in a Bible

Bullet in a Bible documents one of the two biggest shows that Green Day have performed in their career. They played in front of a crowd of over 130,000 people at the Milton Keynes National Bowl in United Kingdom on June 18–19, 2005. The band was supported by Jimmy Eat World, Taking Back Sunday, and Hard-Fi during their American Idiot world tour. Fourteen of the twenty songs performed at these shows were included on the disc; missing out "Jaded", "Knowledge", "She", "Maria", "Homecoming" and "We Are The Champions". Bullet in a Bible was released as a double-LP set on November 10, 2009, as part of the band's 2009 vinyl re-release campaign.

Movie

2017

BP Underground - Hardcore / Punk

The Underground subcultures in Budapest are an integral part of the diverse and colorful Hungarian culture. The creators of the film - Esther Turan and Anna Koltay - wanted to explore what were the major youth music subcultures in the '90s and 2000s in Budapest. This film is a tribute to the underground subcultures of the city. In these series of films, these grass-roots groups deal with the social impact of their community building power and the role played by Budapest itself in the formation of these groups. The film explores the kind of atmosphere and unwritten rules, what were the dominant places, external signs, and symbols, or who were the central figures and what were the memorable stories. The film guides the viewer from the best bands to the message, from the typical attire to the cult bars. The new generation is a starting point, a complex retrospective of where it originated and why the colorful underground cultural life still characterizes Budapest today.

Movie

2014

Bétail

An experimental documentary about the intertwining of bodies and lives in a cattle ranch in Les Avins, Belgium, with cattle of the breed Blanc Bleu Belge, known for its fascinating musculature.

Movie

4.2

2007

MxPx - How to Build a Secret Weapon

Join Mike, Tom, and Yuri in the studio as they record their album "Secret Weapon."

Movie

8.0

1986

Transitions

A look at the various modes of transportation made for the Expo '86 World Fair in Vancouver, Canada.

Movie

8.0

1968

Beatles Electroniques

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.

Movie

2004

Adrift

"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.

Movie

6.7

1984

Suburbia

When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.

Movie

6.4

1980

Rude Boy

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

Movie

6.9

2000

The Filth and the Fury

Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).

Movie

7.0

2011

Please Kill Me

Going backstage and behind closed doors to chronicle the music of sex, drugs, and power struggles that were the fabric of the punk community. Adapted for stage by Mathieu Bauer. The punk era of Television, Richard Hell, Ramones, Iggy Pop...flirting with death, drowning in art, design and a new way of communicating.

Movie

5.2

1957

Fantastic Vision

Footage filmed in Spain, subjected a new visual effects process. Deslaw devoted himself to the discovery of a new machine that enabled film to be developed while using a new method called solarisation.

Movie

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Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"

Movie

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Stop Making Sense

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Let It Be

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Coldplay: A Head Full of Dreams

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Katy Perry: Part of Me

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