Short video art piece.
Social & External
The people behind it
Produced by WGBH-TV in Boston, the Medium Is the Medium is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists — Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock and Aldo Tambellini — to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.
Features four distinct, bizarre, existential tales about people whose lives are in transition, who are each asking questions about themselves, their environments, and about God(s).
The Second Electronic Visualization Event took place at The University of Illinois Chicago Circle Campus in 1976. This documentation features Bob Snyder on EMU Synthesizer, Phil Morton on the Sandin Image Processor by Dan Sandin and Guenther Tetz on the GRASS (GRaphics Symbiosis System) by Tom DeFanti. In Morton's words these artists perform live realtime audio and video synthesis "using both analog and digital computers as 'visual instruments'..." Other artists credited with participation in the Electronic Visualization Events between 1975 and 1978 include Drew Browning, Larry Cuba, Barbara Latham, John Manning, Faramarz Rahbar, Ed Rankus, Michael Sterling, Barbara Sykes and Jane Veeder.
Writes Imai, "As a photographer during the 1970s, my interest in capturing time led me to explore the video medium. After utilizing video in two or three works, I saw a similarity between videotape and an ancient scroll, in that they both capture a story of our time. I started using physical videotape as a metaphorical representation of time, rolling out the magnetic tape from right to left, representing a narrative from beginning to end."
Katsuhiro Yamaguchi and Hakudo Kobayashi presented the video performance Eat at Video Hiroba's first exhibition, Video Communication DO IT YOURSELF KIT. Two performers sit at a table. One records the other eating; then they switch roles. The live video feed of the performance was displayed on a monitor in the exhibition space.
An experimental short film from Toshio Matsumoto featuring Mona Lisa.
Short video art redux.
Single channel HD video. Part of the "Distortion III" video album.
Phil Morton's General Motors was created in 1976. Then based in Chicago, the late Phil Morton created this project as a playful and critical video response in conversation with a local General Motors dealership from whom he had purchased a van. Segments 'Colorful Colorado' and 'RYRAL' begin after the video-complaints cease. Produced at the School of the Art Institute of Chicago (where Morton founded the Video Area), this work includes Dan Sandin and Tom DeFanti who collaboratively developed the early Video Art scene in Chicago.
13 minute video art piece by Phil Morton.
Writes Kobayashi, "In 1972 I started a series of participatory performances where the first person performs an ambiguous action in front of a recording camera; the next person watches the recorded footage and imitates the action in front of a recording camera; the third person repeats the same procedure using the second person's video recording, and so on. Within the repetition of recording and action, the original gesture is transformed by the participants' misunderstanding, interpretation, and memory."
A collaborative performance, Image of Seeing--Seeing investigates the meaning of television watching. This work was created for television broadcast on the Nippon Broadcasting Corporation's program "Hyōgo no jikan" (Hyōgo Time).
A member of the collective Video Hiroba, Morihiro Wada also used video in his solo projects. In The Recognition Construction, each subject entering the frame is identified by a narrator, while the video camera slowly rotates. As the rotation speeds up the identification becomes more difficult, and the objects ultimately become "indecipherable."
In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.
In Idemitsu's seminal women's liberationist video, the image of a tampon swirling in a toilet bowl slowly appears, as the artist speaks about the troubling roles, responsibilities and expectations of women in a clinical tone. Minimal in composition, What a Woman Made is a candid critique of the treatment of women in Japanese society.
Video collage distributed by the label Come Organisation. I - IV. Noise, smut, medical procedures, studies on art, interviews and other assorted madness.
While streetworker Mickey romances Minnie, Mickey's nephews Morty and Ferdie take control of his steamroller and it's full speed ahead on a very destructive ride.
This is the story of the internal struggle between a man's Brain—a pragmatic protector who calculates his every move, and his Heart—a free-spirited adventurer who wants to let loose.
By accident, Cedric (Goofy), replaces his master, Sir Loinsteak, in the armor just before the joust with champion Sir Cumference.
Farmer Donald goes through his farmer day until a fly causes him to lose control while milking a cow.
Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.
Goofy, staying at the Sugar Bowl resort, demonstrates the basics of downhill skiing, which the titles and announcer insist is pronounced "SHEEing". The equipment is, of course, of the era. As you can imagine, Goofy has much trouble keeping his skis parallel and pointing downhill. The final ski jump conveniently lands Goofy right back in bed.
Mickey and his friends are staging a sort of olympics in a makeshift stadium on his farm. The main event is a sort of quadrathlon, with running, pole vaulting, rowing, and cycling. Mickey gets a late start due to some foul play by Pete, and that's not the only foul play.
Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.
Buster Moon dreams up a star-studded spectacle set to Michael Jackson's "Thriller" in this animated short featuring characters from the hit "Sing" films.
With his best friend Luca away at school, Alberto is enjoying his new life in Portorosso working alongside Massimo—the imposing, tattooed, one-armed fisherman of few words—who's quite possibly the coolest human in the entire world as far as Alberto is concerned. He wants more than anything to impress his mentor, but it's easier said than done.
Animals band together to save the day when the evil Otto Von Walrus hatches a sinister scheme to accelerate global warming and melt the Arctic Circle.
From a brand new car in a showroom that draws every eye, to a discard in a second-hand lot and ultimately Skid Row, Susie's story has the highest of highs, and plummets to the lowest of lows... an automotive riches to rags story.
Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.
Donald is shoveling the snow off his walk; Chip 'n' Dale are shoveling their branch. Donald tricks them into shoveling his walk. Angered, they sneak into his house, where he's getting ready to make popcorn. They've never seen this before, but they love it. They stow away in the box, then make off with the bowl of popped corn.
Donald has to get up early, but everything seems to be working to keep him awake. His loudly ticking alarm clock resists several attempts to quiet it. Donald ultimately swallows it; the glow-in-the-dark dial can be seen through his feathers. Then his folding bed folds up on him. Springs start popping out of it; Donald builds an elaborate framework to hold it down. Finally, enough of the clock reassembles itself to sound the alarm and night is over.
It is just another evening commute until the rain starts to fall, and the city comes alive to the sound of dripping rain pipes, whistling awnings and gurgling gutters.
Carl Fredricksen reluctantly agrees to go on a date with a lady friend—but admittedly has no idea how dating works these days. Ever the helpful friend, Dug steps in to calm Carl's pre-date jitters and offer some tried-and-true tips for making friends—if you're a dog.
Wirt and Gregory are brothers who get tired of walking, so, they borrow a car from a romantic songster made of vegetables.
Clinging to a smooth, curved surface high above a sentient abyss, a woman tries to cover the few feet back to safety without losing purchase and falling to her death.
A mother bird tries to teach her little one how to find food by herself. In the process, she encounters a traumatic experience that she must overcome in order to survive.
