A Photographer enamored with a lone tree tries to take a picture. He falls down to a rabbit hole of perspectives as he take the Sisyphean task of taking a photograph of the tree
Social & External
The people behind it
Haekal Muthahari
Photographer
Short film directed by Wolfgang Ramsbott
Protective Coloration shows Fisher seated at a mottled table. He wears short-sleeved hospital garb, surgical green ‘scrubs’. Nose-clips block his nostrils while a mouth-guard that looks like fake lips covers his mouth. Over the course of 11 minutes he masks his face and covers his hands with bright gear in colours that accumulate to resemble those of the standard reference chart: he puts on orange eye-caps, then a yellow bathing cap; covering his nose and mouth and the gear already there, he dons a black gas mask; a silky black sleeping mask voids his already covered eyes, a cyan blue bathing cap caps the yellow; yellow rubber gloves snap on his hands and forearms; puts on cyan eye goggles, then struggles with yet another bathing cap, hazmat orange, over the other two. A silvery transparent shower cap tops the caps, itself topped by a plastic green helmet. Finally heavy-duty magenta gloves hide most of the yellow rubber. Preserved by the Academy Film Archive in 2008.
Jacq Vaucan, an insurance agent of ROC robotics corporation, routinely investigates the case of manipulating a robot. What he discovers will have profound consequences for the future of humanity.
In 7 episodes, a subject traverses through various phases of existence. He fully explores different facets of the human condition— a calm birth, a stifled growth, an outrage against injustice, a cumulation of scars, and the return to innocence.
Music by Byron Westbrook, 16mm film by Paul Clipson.
Caleb, a coder at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the reclusive CEO of the company. But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl.
The turkish ambassador is said to visit a village in Hungary.
Misha, Dalton, Jaxon, Hamlet, and David are young aspiring actors who move to Hollywood to follow their dream, but wind up testing their fate with consequences beyond their wildest imagination. Each of the actors have been hand picked by 'The Master'. A dark, mysterious teacher who promises to teach them the ultimate secret to success. Without knowing it, the young faithful dreamers are set to the test of their lives. They are hypnotized, mentally and physically abused and brainwashed as The Master slowly steals away any human instinct and empathy from them and applies a strange animal behavior instead. He calls it his unique acting technique. But in spite of all their hopes, dreams and aspirations The Master is never planning on giving them the secret to success. He has his own dark agenda. He is the hungry wolf in the jungle waiting for the right moment to prey on little girls. Just like the fairy tale of 'Little Red Riding Hood'.
The Patina Robotics Company makes AI assistance robots that 'Live to serve.' When John brings one home to his girlfriend, she gets more than she bargained for.
Peter Larsson’s Keyhole Conversation draws the eye down to the small gate of the camera. From there, through quivering and percussive forms of direct and stop-motion animation, the eye begins to experience the scale of an image anew. At times segueing into a flicker, but maintaining a charmed form of attention to the marks of pencils and the channels dredged in emulsion by a paintbrush, all to a curious soundtrack of pulses and bleeps.
Music by Austin Cesear, 16mm film by Paul Clipson.
Music By Jefre Cantu-Ledesma, Super 8mm Film By Paul Clipson.
Central explores the limitations of sanity as different facets of her persona usher her through psychosis.
A short film about a couple having a dinner date, but all is not what it seems
In search of her friends, an old lady enters the 'Amazing Kitsuverse' – a virtual paradise where anything is possible with a simple clap of the hands. There she meets the guardian of the realm: a clever little fox.
In 2040, an app premised on ensuring romance for all is used widely by the population. When the voice behind the app's AI realizes its misconception to true love, he embarks on a quest to prove that love does not come from a screen.
Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.
"Ephemeris" (2011) is a conversation of image and sound, between filmmaker Paul Clipson and electronic musician Aki Onda, rendered as if from a fragmented journey of landscapes and memories. Clipson and Onda each investigate very personal, intuitive spaces, through their favored technologies of Super 8mm film and cassette Walkman. Both artists base a significant emphasis of their work on performance environments, where their visual and sonic field recordings interact to create sensory collages born out of the subjective impressions of the audience.
Super 8mm, 21 min., color and b&w, music by Jefre Cantu-Ledesma
A collage storybook retelling of the Jesus Christ story with Digital, Super 8, 16MM, and VHS, primarily set within a decaying and run-down world and divided into three acts. Accompanying the film's images is distilled church music provided by various noise artists. This is the first feature film from Los Angeles experimental filmmaker Case Esparros and was released in 2019.
Faye attempts to replace her newly deceased husband, Evan, with an android simulant (SIM). Although SIM Evan appears like human Evan in every way, Faye does not feel the same love for SIM Evan as it does for her. SIM Evan tries to win Faye back while at the same time being on-the-run from a government agent chasing down SIMs who have become “conscious” and could potentially be a threat to humankind.
Curtis Pike and his family are selected to test a new home device: a digital assistant called AIA. AIA observes the family's behaviors and begins to anticipate their needs. And she can – and will – make sure nothing – and no one – gets in her family's way.
A grieving detective in the near-future hunts down criminals who trade artificial humans on the black market. In the fight to end AI exploitation, an underground resistance attempts to infiltrate him by sabotaging the programming of the artificial human assigned as his companion to behave like his late wife. She begins to question her reality as memories of a past life begin to surface in a world where nothing is as it seems.
Held captive in a futuristic smart house, a woman hopes to escape by befriending the A.I. program that controls the house.
In a story that spans billions of years, a buoy and a satellite meet online long after humanity’s extinction. As they learn what life was like on Earth, they discover themselves and what it means to be alive and in love.
20 men are chosen to participate in the roles of guards and prisoners in a psychological study that ultimately spirals out of control.
Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.
Science fiction has long anticipated the rise of machine intelligence, and today a new generation of self-learning computers has begun to reshape every aspect of our lives. Will A.I. usher in an age of unprecedented potential, or prove to be our final invention?
As his life comes to its end, famous Hollywood director Orson Welles puts it all on the line at the chance for renewed success with the film The Other Side of the Wind.
Two colleagues at a revolutionary research lab design technology to improve and perfect romantic relationships. As their work progresses, their discoveries become more profound.
Mother, father and daughter go to the park. The women doze off on a bench while the father plays a hide-and-seek game with a girl, blindfolded. Charlie leads him into a lake. Both dozing ladies on the bench fall for Charlie and invite him for dinner. The father returns home with a friend. Charlie rushes upstairs and dresses like a woman, shaving his mustache. Both men fall for Charlie.
With his wife out sick, a struggling father brings home a lifelike AI, only to have his self-aware new help want everything her new family has to offer... Like the affection of her owner and she'll kill to get it.
After a ruthless tech giant acquires a small robotics company, a grieving engineer is tasked with testing their new AI companion. But when he attempts to reprogram her to be a truly sentient soulmate, she develops needs of her own—unleashing a relentless spree of precision-engineered mayhem.
2038: George Almore is working on a true human-equivalent AI, and his latest prototype is almost ready. This sensitive phase is also the riskiest as he has a goal that must be hidden at all costs—being reunited with his dead wife.
Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.
A dirty bomb goes off in Los Angeles, jamming freeways and spreading a toxic cloud.
In the near future, a detective stands on trial accused of murdering his wife. He has ninety minutes to prove his innocence to the advanced AI Judge he once championed, before it determines his fate.
Offbeat documentarian Chris Smith provides a behind-the-scenes look at how Jim Carrey adopted the persona of idiosyncratic comedian Andy Kaufman on the set of Man on the Moon.