An old North African man, sitting in an Algerian bar, remembers his life spent in France.
Social & External
The people behind it
Lounès Tazairt
Jicey Carina
The arrival in France of the first generation of Algerian immigrants. In the early sixties, Kader, soon joined by his wife Myriam, tries to build a new life on French soil. Like many other couples, they soon find themselves torn between the dream of returning to their homeland and that of prospering in a land that is not always welcoming.
In 1971, the Algerian government nationalized hydrocarbons. The consequences of this decision on the community of Algerians in France are numerous. The Galti family is prey to these economic problems. The father, Khaled, former member of the F.L.N. in France, does not escape the sentence. Sharazade, his wife and comrade in combat, finds herself torn between her role as wife, mother and nostalgia for a country and a bygone past. As for his son Karim, a victim of socio-cultural division, all he has left is refusal.
In the middle of the Algerian war, Elise, from Bordeaux, “goes” to Paris to join her brother to earn her living in an automobile factory. There she meets Arezki, an Algerian nationalist activist with whom she falls in love. A chronicle of working life at the time and which highlights the extent of police repression against Algerians.
In the 1980s, barely 18 years after Algeria's independence, Algerian immigration to France massively fueled the construction industry, responding to a demand for hard, undervalued labor. Behind the idea of "selective immigration," these men were recruited primarily for their bras and their knock-kneed hands, shaped by construction sites. Invisible yet essential, they built roads, buildings, and infrastructure, often at the cost of precarious conditions. Ali, an Algerian crane operator in France, philosophically accepts the harassment faced by immigrants like himself on construction sites and in daily life. He hopes to escape his situation with the money he wins in the lottery, and from the top of his crane, he allows himself to dream, observing the world through binoculars. One day, the jackpot falls...
The film mixes fiction, filmed documents and interviews which recounts the arrival in Paris of an Algerian immigrant lost in the metro. On December 27, 1968, France and Algeria signed an agreement which admitted each year 35,000 Algerian workers to French territory in the France of the Trente Glorieuses where the annual growth rate reached 5% and where factories lacked workers. Candidates obtain a residence permit valid for 5 years for themselves and their families. Paris is committed to improving professional training and housing conditions for immigrants, too often confined to the most thankless jobs and often housed in slums. A testimony on the living conditions of emigrant workers "economic cannon fodder" of neocolonialism which simultaneously develops its alter ego, institutionalized racism, as a tool of social stagnation and division of the proletarian class.
In 1955, a year after the birth of the National Liberation Front (FLN), Mahmoud was expelled from Algeria by the colonial authorities who feared his revolutionary speeches. At the age of 27, he arrived in the Algerian slum of Nanterre. Roughly questioned by FLN activists, in disagreement with the Algerian Nationalist Movement (MNA) who wanted to recognize theirs, he was then accepted as the local hairdresser and shoemaker. Subsequently, he became a driver during anti-MNA expeditions. Accepting increasingly dangerous missions, he is imprisoned by the French police and once again undergoes interrogations and special treatment by the police which will definitively undermine his sanity. One day, he no longer recognized his companions, and when joy broke out among the FLN militants, at the announcement of the signing of the Evian Accords, Mahmoud remained alone, frozen in an attitude of refusal, walled in his madness. Algeria has just won its independence.
In a working-class immigrant neighborhood slated for demolition, Jo, the son of Ali, known as the Rescuer from the Algerian war, lives idle and delinquent, committing small assaults to pay for his drugs. One day, while attacking Slim's bar, he is arrested by Ben, a young beur cop torn between his roots and the imperatives of his mission to maintain public order. Giving in to the respect and friendship he feels for Ali, Ben agrees to release his son. But alas, far from calming down, Jo drifts deeper into violence, until the inevitable drama.
The Three Cousins is a comedy-drama by René Vautier released in 1970 about the living conditions of three Algerian immigrant cousins looking for work in Paris. Housed in a narrow construction shed, the coal stove will cause them to suffocate. The Three Cousins won the Best Human Rights Film Award in Strasbourg in 1970.
"For more than ten years, Algeria has been living a slow war, a war without a front line but having caused more than 100,000 deaths. It is this desert that Zina and Kamel – two young Algerians sometimes hallucinated and joyful, sometimes dejected and serene – will want to travel one last time before leaving it for elsewhere. Road Movie on the territories of a city, Algiers whose construction sites are in decline. Roma wa la n'touma will show that fleeing abroad is not is not a refusal of combat, but an obscure struggle against assignment. Tariq Teguia
A construction worker on a construction site in the Paris suburbs, Mehdi takes the bus to return home after work. Wishing to get off while the vehicle is stationary in a traffic jam, the driver refuses: while restarting, the bus hits the car in front of it. The bus driver attacks Mehdi whom he holds responsible for the incident, claiming that it is forbidden to “talk to the stagehand”. Mehdi is implicated in court and his lawyer tries to draw attention to the living conditions of immigrant workers.
In 1980, Lionel Stoléru—France’s Secretary of State for Migrant Workers—introduced a "repatriation grant" of 10,000 francs (known as the "Stoléru million"), paid to immigrants who agreed to return permanently to their countries of origin. One Algerian family decided to leave France. Upon arriving in the small rural town of Boufarik, Algeria, in a brand-new Peugeot 404, they caused a scandal. Their liberated ways drew the villagers' ire, and the two children knew nothing about Algeria or local customs. The film was selected for the Cannes Film Festival in 1981, and in 1982, it won the Critics' Prize at the Chamrousse International Comedy Film Festival.
Cheikh El-Hasnaoui is an Algerian singer who left his country in 1937 without ever setting foot there again. Between 1939 and 1968 he composed most of his repertoire in France. For many years the Algerian cafes of Paris were the stages of his shows. With a handful of artists of his generation, he laid the foundations of modern Algerian song. A fervent defender of women's rights, he claims, as a pioneer, the fight for identity for a plural Algeria. At the end of the Sixties, he ended his artistic career. On July 6, 2002 he died in Saint-Pierre de la Réunion, where he is buried to this day. This 80-minute documentary follows in the footsteps of this extraordinary character. From Kabylia to Saint-Pierre de a Réunion via the Casbah of Algiers and the belly of Paris.
Ali in Wonderland unveils the condition of immigrant workers in Paris in the 1970s. It is a cry of anger against exploitation and racism, uncompromisingly raising the role of the French state, the media, capitalism, and colonization in this system of domination that crushes those who suffer it. In this experimental essay on the condition of Algerian migrants in Giscard's France in the mid-1970s, every aesthetic choice has a precise and legible political motivation and gives body and voice to a figure completely absent from the experimental cinema of the time: that of the immigrant worker. Abouda is one of the children of immigrants seen in the film, and not a simple activist serving a cause, which is why the emotion of her experimental gesture, which she throws in the viewer's face, springs from a ferocity inscribed in her body, from an insatiable anger that inhabits her gaze.
An unemployed Algerian worker leaves Paris by hitchhiking. He soon found himself in Brittany and, seduced by the beauty of wild gorse, eventually established himself as a gorse merchant. But for problems with parking his little cart, he had a rough explanation with a law enforcement officer. The happy intervention of factory workers, the eager kindness they showed him, saved him from despair. This film is part of a trilogy "Them And Us" with the films "Les 3 Cousins" and "Techniquement Si Simple".
The artistic journey of Dahmane El Harrachi, born in 1925 in Algiers, bears the mark of his experience. An attentive and vigilant observer of the environment of immigrant workers, Dahmane has always avoided falling into the ambient miserabilism. From the Algerian Chaâbi, he has kept certain melodic lines and a clear propensity for sayings drawn from the oral poetic tradition. El Harrachi uses simple language, understandable by all popular sectors of the Maghreb, which partly explains its wide success. In 1949, he went to France and it was in cafes, springboard places where people come to breathe the air of the country, that he performed regularly. Elegant, with his beautiful atmosphere, the “bluesman” of the suburbs seduces, upsets and stirs consciences. Discovered late by the new generation, the creator of Ya Rayah met a tragic end, on August 31, 1980, in a car accident, on the Algiers coast which he sublimated above all else.
Story about a honest police man and his fight against politicians.
A film based on the life of the Russian scientist, Klement Timiriazev, who taught at Cambridge and Oxford and was awarded the Newton Mantle for his work. Timiriazev, one of the few outstanding Russian scientists who (publically) backed the Soviets in their revolutionary campaign, was later elected a delegate to the Leningrad Soviet by the sailors of the Baltic fleet. There he denounced his fellow scientists for failing to aid the Soviets and predicted that such aid would come.
A neglected and frustrated wife looks for satisfaction outside her marriage and gets involved with a group of hippies.
A woman has a close bond with her beloved Algerian grandfather, who protected her from a toxic home life as a child; his death triggers a deep identity crisis as tensions between her extended family members escalate, revealing new depths of resentment and bitterness.
Algiers, 1938. Meursault, a quiet and unassuming employee in his early thirties, attends his mother's funeral without shedding a tear. The next day, he begins a casual affair with Marie, a work colleague. He quickly slips back into his usual routine.
On election night in 1981, celebrations spill out onto the street and there is an air of hope and change throughout Paris. But for Elisabeth, her marriage is coming to an end and she will now have to support herself and her two teenage children. She finds work at a late-night radio show and encounters a troubled teenager named Talulah whom she invites into her home.
Mathieu lives in Paris, Alice in a small seaside resort in Western France. He is a famous actor, about to turn fifty. She is a piano teacher in her forties. They were in love fifteen years ago, then separated. Time has passed. They each went their ways and slowly healed. When Mathieu goes try to overcome his melancholia in a thermal spa, he stumbles upon Alice.
The legendary Roberto Duran and his equally legendary trainer Ray Arcel change each other's lives.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
When lapsed Jew and former cardiologist Harry suddenly decides to spend his retirement as a pig farmer in Nazareth, Israel, the move deeply shocks his family and his new neighbours. Back in New York, Harry’s ex-wife Monica is trying to manage the lives of their adult children, Annabelle and David, as well as her own.
Set in France during the struggle for Algerian independence, Messaoud's mother is terminally ill and his father, needing to work long hours in the factory, can't look after him, so decides to put him and his older brother Abdel in foster care. Sent to the countryside, Abdel has to work on a farm, but Messaoud is taken in by a childless woman, who conceals his Arab origins from her fiercely Gaullist ex-army husband. Re-named Michel/Michou, and with his hair comically dyed blond, the young boy quickly steals the hearts of both foster-parents, and eventually is instrumental in saving their troubled marriage.
Raf and Julie, a couple on the verge of breaking up, find themselves in an emergency ward bordering on collapse on the evening of a Parisian Yellow Vest protest. Their encounter with Yann, an angry and injured demonstrator, will shatter each person's certainties and prejudices. Outside, the tension escalates.
A young man with a bright future suffers a near-fatal accident and recreates his new life with the help of an unlikely animal friend.
Thomas Montgomery, a married father of two young daughters, gets seduced by the world of online gambling and chat rooms where a virtual romance and sexual obsession ultimately leads to the murder of an innocent man.
Waking up in an unfamiliar city, a man with no memory must confront the mysteries of his own identity. However, his desperate search to uncover the past pits him against a powerful enemy, leading to a showdown that ultimately reveals the truth.
Michel is a young technician in the fledgling TV industry and is due for military service in two months at the time of the Algerian War. Juliette and Liliane are inseparable best friends, and aspiring actresses, who hang around outside the TV studio. Michel invites them in to watch, flirts with them both, and dates them separately and together. When Michel goes on a holiday to Corsica, just before he is drafted, the girls follow.
MMA legend Patton James, now a commercial fisherman, is pulled back into the cage when his brother is in danger. Reuniting with his old coach Sammy, he commits to one final fight in one championship against the brutal champion Xavier Grau.
Grieving and facing the consequences of their crimes, the Traoré brothers get one last chance to forge a new path.
Adapted from the novel L'Argent by Émile Zola, the film portrays the world of banking and the stock market in Paris in the 1920s.
In order to be reinstated to the bar and recover custody of her daughter, a hotshot lawyer, now in recovery and on probation, must take on the appeal of a woman wrongfully convicted of murder.
An unlikely friendship evolves over one wild night in LA between a struggling journalist and actor Hervé Villechaize, the world's most famous gun-toting dwarf, resulting in life-changing consequences for both.
By a little bay near Marseille lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days. It’s time for them to weigh up what they have inherited of their father’s ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.
A bourgeois couple, modern yet conventional. One night by accident, a young prostitute barges into their lives. Hounded down, beaten up, threatened, she will continue to struggle, with the help of a well off lady, first for her survival-her resurrection-then for her dignity and freedom. Stormy encounters for everyone involved.
