Video art made by Dellani Lima,
Social & External
The people behind it
Daniel de Oliveira
Julião Villas
Leonardo Bertollini
Letícia Castilho
Rodrigo Lacerda, Jr
Sérgio Ribeiro
A dejected homemade robot wanders through a bright and sunny landscape, only to encounter some bad luck.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
A dream where obsession for German as a second language mixes up with an obsession for neatness and cleanliness as a distinctive feature of the national culture in question seen from the perspective of a foreigner. The dream is not a nightmare only because the set it is dreamt into is the seashore of the mare nostrum, where the dreaming subject is perfectly at home. A homeland which she, in turn, in her more secret thus naïf dreams would dream of being cleaner and tidier as in the reality, especially in front of such beauty of nature. As is right and proper.
Performance video about a holiday romance at St Ives, Cornwall.
Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.
Anémona and Pisces live a capicua experience: they are at the same time the woman who looks, the woman who is looked at, and the very act of looking. Between fractal scenes and images multiplied in reference to Man Ray, Anémona assumes the will to, through the state of trance, always be a foreigner within herself, while Pisces goes in search of an alien vision, to assume herself as the self and otherness to understand the world.
Experimental video art set to the track "Place I Know/Kid Like You" by Arthur Russell.
Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring in and out of her body. In her last remaining fragments she tries to make amends with her spirit before her remaining fragments either decay or create.
A young anonymous office worker in the heart of an unnamed North American megacity takes us through a few fleeting days in her life.
Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.
In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.
"of reciprocal isolation and foreignness"
The goddess Diana and her two attendants traverse the rugged terrain of Idaho’s Sawtooth Mountains in pursuit of the elusive wolf. An Engraver (Matthew Barney) furtively documents their actions in copper engravings and provokes a series of confrontations. The characters communicate through dance, letting movement replace language as they pursue each other and their prey.
A meditation on isolation through paint textures, video collage and sound
a visualization of a poem telling a story of making a piramid out of a mountain
the door is opening
NUVEM is a screendance piece created using the point cloud technique, exploring the boundaries of form and presence within digital space. Dispersed points are drawn to each other like suspended particles, guided by invisible forces that shape them into ephemeral bodies — cloud-bodies that emerge and dissolve in constant mutation. The work constructs a sensory landscape where movement is not only choreographic, but also magnetic. As if held in suspension by an unseen magnetic field, NUVEM invites the viewer to immerse themselves in this rarefied universe, where the body’s contours are volatile and time unfolds in slow, continuous transformations.
The funniest thing happened to me the other day...
The vicious, power-mad Kano is determined to take over Earthrealm, one soul at a time. Assisted by a trio of cold Black Dragon mercenaries, he embarks on a brutal assault from town to defenseless town. The choice is simple: kneel or be annihilated. Kenshi, a rebel warrior, calls on Kuai Liang, the only one powerful enough to challenge the malevolent Kano. But Kuai Liang has given up the ways of the warrior, and Kenshi is too undisciplined to defeat Kano himself. If Kuai Liang cannot break through the glacier of doubt that holds him back, Earthrealm will fall.
After being slain by a group of criminals, a man is reborn with animal-like superpowers and makes it his mission to right the wrongs of his city.
When Shao Kahn's Outworld barbarians terrorize Earthrealm, Lord Raiden is determined to put an end to the carnage once and for all. This leaves one option: a final Mortal Kombat tournament for the future of Earthrealm – win it or lose everything. Raiden's elite fighters Liu Kang, Johnny Cage, Sonya Blade, and a few new faces kick the action into overdrive as they go head-to-head with Outworld's most bloodthirsty warriors. But deep in the Netherrealm, an unspeakable scheme by the malevolent Shinnok unfolds, threatening to obliterate existence.
Escaping from poverty to become a witcher, Vesemir slays monsters for coin and glory, but when a new menace rises, he must face the demons of his past.
The embodiment of ultimate evil, a glowing orb terrorizes a young girl with bizarre stories of dark fantasy, eroticism and horror.
Exactly one year after young rock guitarist Eric Draven and his fiancée are brutally killed by a ruthless gang of criminals, Draven, watched over by a hypnotic crow, returns from the grave to exact revenge.
In the not-too-distant future, an all-seeing surveillance state conducts “dream audits” to collect taxes on the unconscious lives of the populace. Mild-mannered government agent James Preble travels to a remote farmhouse to audit the dreams of Arabella “Bella” Isadora, an eccentric, aging artist. Entering Bella’s vast VHS archive, which contains a lifetime of dreams, Preble stumbles upon a secret that offers him a chance at love—and hope for escape.
Upon arriving to a small town, a drifter quickly gets into trouble with the local authorities — and the local women — after he robs a bank.
Clarence marries hooker Alabama, steals cocaine from her pimp, and tries to sell it in Hollywood, while the owners of the coke try to reclaim it.
While traveling in Paris, author Henry Miller and his wife, June, meet Anais Nin, and sexual sparks fly as Nin starts an affair with the openly bisexual June. When June is forced to return to the U.S., she gives Nin her blessing to sleep with her husband. Then, when June returns to France, an unexpected, and sometimes contentious, threesome forms.
Featuring music from her fourth studio album produced by Trent Reznor and Atticus Ross, this evocative film experience stars Halsey as the young and pregnant Queen Lila, who wrestles with the manipulative chokehold of love.
