A portrait of the internationally acclaimed Japanese architect who employs Buddhist ideas and western modernism to achieve intercultural architecture.
Social & External
The people behind it
Kenneth Frampton
Himself
Kisho Kurokawa
The film arose from an encounter with Mario Botta during the 2013 Architecture and Memory exhibit held at the Charlotte, North Carolina Bechtler Museum of Modern Art which was designed by the architect. The exhibit gathered and then proposed to the public the Swiss architect’s most significant projects spanning the gamut from his first single-family homes, original expressions of the School of Ticino, to his large public buildings, libraries, theatres, museums, churches and synagogues which have been built across the globe and features more than 90 works. The film is a dialogue on the themes which characterize Mario Botta’s vision and practice: his relationship with history and the territory, the designing of collective spaces, encounters with the leading protagonists of the 20th century. The interview, conducted in Mario Botta’s studio in Mendrisio, is replete with photographic materials, designs and sketches which document his “spaces of memory”.
Finding their place between the forest and the sea, the Japanese have always felt awe and gratitude toward Nature. Since ancient times, they have negotiated their own unique relationship with their natural surroundings. Acclaimed photographer Masa-aki Miyazawa discovered the essence of that ancient way of living in Ise Jingu, Japan’s holiest Shinto shrine. Inspired by the idea of sending a message to the future in the same way this ancient shrine keeps alive the traditions of the past, Miyazawa used an ultra-high resolution 4K camera to create a breathtaking visual journey linking the Ise forest with other forests throughout Japan.
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