What are we doing after the war？
Social & External
The people behind it
Xilin Gol grassland in Inner-Mongolia is one of few natural grasslands with high-quality pasture in China. When a rich coalfield is discovered under the ground of this beautifully natural scene, the nomadic herdsmen reluctantly migrate into the cities and wave farewell to their grassland. The water levels lower, plants die, and only sandstorms remain on the prairie.
As a person who has taken art exams, Guo Jiang chose to enter the industry of "art exam training" after graduating from university. His role is that of both an educator and a businessman, although most of the time he prefers to appear as "Mr. Guo". The stage on which Mr. Guo's skills are put to use is a small county in central Henan, which is also his hometown. This documentary is about Guo Jiang's career and life.In short, hovering between the desire and the so-called ideal, adhere to or let go, he needs to make a choice.
Liu Haiying, who is praised by patients as the "sword of the world", is a doctor of medicine who grew up during the 80 years of agency thinking. He spent the most important stage of his career in Germany in the mid-1990s, and he developed a rigorous career. Careful and professional character. In many years of medical practice, Liu Haiying often paid out of his pocket to help poor families with severe spinal deformity patients. He knew that if these people did not undergo surgery, they would have organ failure or death waiting for them. However, long-term funding is unsustainable for the economy.Day and night heavy work has made this good doctor with superb medical skills a patient who needs to be taken care of. Colleagues advised him to take more care of his family and body, but he couldn't stop the pace of "saving the wounded." He was still staggering, guarding his life that was hard to give up and saved the wounded.
The term "garbage" is relative, but most people's definition of garbage is absolute and rigid, and the definition of a person like "garbage man" is also relative. Compared to the ostrich that disappears when humans avoid garbage and not see psychological. With a lively and lovely tone, the film brings out the special views of how the two protagonists look at trash when they walk between the cities, and then connects the delicate relationship between their love for trash and their families.
In a city that worships money, there is a group of people who still insist on living the philosophy of "people are not living on food alone." Instead of choosing to live in seclusion, they choose to actively enter the world, improve their hearts, and influence others through artistic creation. Their innovation has not only driven the art world in Hong Kong but more importantly, through their enthusiasm for creation, they have made us understand that as long as we have a "heart", no matter how difficult the environment is, we can persist in a "love".
A bunch of indie filmmakers came to the grassland，everybody stayed in a tent, just open their mind and be sincere. They made conversations, which were about their confusion for life and be puzzle for artistic creation. Multifaceted sentiments were created. The goats were not vegetarian animal anymore，and the interlocutors were eating goats. An old man wanted to possess a young girl, the so-called artists were actually a tribe of infantile children. The goats were naked and waiting to be sparked…
Li is over 70 years old, he sits in front of his window in the afternoon every day and smokes the cigarette to pass the time. The sound of water drops in the kitchen, two pigeons are roosting on roof of the opposite building, and the sunshine comes into the room, which make Li feel alive. His emotions usually could be fluctuated with the plot of the TV programmes, because he even could find out his own fitful memories from it. One was is the whole family, another one also is the whole family. During worshipping of the ancestors, he listened to his mother's arrangements and felt sincere concern from his brother. However, happy time was so short. After he returned to his rental place, the only thing that he can do is to look at the dream which was outlined in the New Year's Gala, and which gradually away from his dream. Everything just was the same as the past in this new year, he was still feel so lonely.
“If there is any chance, I will let him live well No matter where he is.” The old lady cried and said that when I was visited her and her husband one year ago. Her heartfelt wishes are my motivation, I know that I am going to create this documentary work - the son.
Yuguo, from Mongolia, lost his father when he was very young. His mother Liuxia was not able to raise him as a heavy drinker. With social support, she sent Yuguo to Wuxi for free education. Liuxia is depressed all day long, and she finds sustenance of missing Yuguo in reindeer and wine. One winter holiday after many years, Yuguo returns to his hometown, the Evenki settlement deep in the Greater Khingan mountains. At that time, he is no longer the boy who just left home, but a thirteen-year-old teenager. Facing alcoholic mother, poetic uncle, pure people from the tribe, familiar yet strange forest, Yuguo, who grew up in the city, doesn’t know what to do. In the snow-laden mountains of Aoluguya, northeast of Inner Mongolia, the film chronicles their brief time together. Yuguo and His Mother is the second documentary of Gu Tao’s Evenki trilogy.
Aoluguya, Aoluguya is the first film in Gu Tao’s Ewenki Trilogy. A tale that unfolds in the Aoluguya forest, featuring such unique characters as a mother who dulls her sadness over the absence of her son, Yuguo, with alcohol; her brother; and Maria, the tribal chieftain who watches over them.
A microcosm of China past and present flows through Xu Tong’s intimate docu “Shattered,” in which the maverick indie filmmaker continues to refine his techniques and concerns shown in his previous “Wheat Harvest” and “Fortune Teller.”
A small rural township called Red White was seriously devastated by the May 12th Earthquake in China 2008. A 62-year-old Taoist survived even though his temple was largely torn by the disaster. This documentary tells the story of how the Taoist practices the widely believed Chinese traditional religion and the local people’s daily life during the township’s post-quake reconstruction.
The story happened near the Shuangjing subway station in Beijing. The female stall owner was aggrieved by the selective enforcement of urban management and expressed that she would fight to the end for fairness. When the urban management team forced her to close, she burst into tears and complained of social injustice. Even in the urban management team, she had to ask for fairness. But in the face of institutional chaos, she finally chose to compromise and continue the cat and mouse game. The old man is a Christian, is he helpless in obedience to fate? How many people's melody played by the Huqin sounded in the smog of Beijing?
This investigative documentary gives a comprehensive record of the development of China's "August 3 Crackdown on Mafia" campaign. Li Xiaoming, the main character of the film, escapes from the incident and goes through many ups and downs. The film explores that period from a personal point of view, slowly revealing the untold story of that period.
The player of Jia Zhangke's early film "Xiao Wu" and the famous independent film activist Wang Hongwei talked about Chinese independent films at the IFF Independent Film Forum.
Unusually popular religions and extreme secular beliefs, unconstrained power and no authoritarian society, people work hard on the land and live thrifty but do not believe in the meaning of life at all. This is Longwang Village, an empty old farming society, the most essential reality of an ordinary western village. The film does not have a perpetual plot. The images are presented with the changing of the four seasons. There is no great joy or great sadness. Everything is recorded, and no results are produced. Strictly speaking, this is actually just a rural video file, a running account of ordinary western villages without all rhetoric.
Only a few days before the Spring Festival of 2008, several truck drivers set off from Nantong, Jiangsu Province, to Guizhou province to deliver goods. But what they didn't expect was that they ran into a big snowstorm not long after their departure. What would these drivers do after they got caught up in a snowstorm and coudn't do nothing about it but wait? How would they react to this unexpected halt? And what would happen to this convoy?
‘Body’ is an object we are all familiar with. For British sculptor Anthony Gormley, it is a medium for expressing thoughts about space, while for young female artist Wang Ying, it is a potential vehicle for expressing emotions. This documentary uses a split-screen method to create a three-dimensional space like a "body". It not only explores the artistic concept and development of Wang Ying, a female artist born in the 1990s who studied in the UK but also completed it on this basis. The documentary creator (me) thinks about her and her body, from'meeting','seeing' to'existence'
In the dream I had one early morning in 2014, I was sitting in the backseat of a car. The driver suddenly turned to look at me and said: Why aren’t you filming? It was my second elder sister who had already passed away. After her death, I began to keep a diary and take pictures. When I got a video camera, I began to film the daily life of my family. I filmed out of the fear of death and loss. The idea was to capture everything on film before it disappeared. 2015 was the 20th anniversary of my sister’s death. That dream seemed to tell me to face her death. Death did not stop the passing of time, and the family members I was filming continued to avoid their grief which hadn’t subsided with time. Birth and death continue to alternate in our lives, and we are always getting ready for the day when we must say goodbye.
I just watch the news of war in a distant country on my mobile. My fingers go back day by day to the day the war broke out and pose to see comments posted on the Facebook News Feed that I follow. Outside, I have friends who participated in anti-war rallies.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
An interview with film director Roman Polanski conducted during his period of house arrest, discussing his life and work.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."
The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary filmmakers who went to war to serve their country and bring the truth to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War.”
From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.
A documentary about the life and films of director John Ford.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
An impressionistic portrait of the iconic actor Harry Dean Stanton comprised of intimate moments, film clips from some of his 250 films and his renditions of American folk songs.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Musician and performance artist Laurie Anderson reflects on the deaths of her husband Lou Reed, her mother and her beloved dog.
Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
Just two years away from turning 30, participants in Michael Apted's documentary series are facing serious questions of identity and purpose, wondering whether they've found their place in the world.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.
The final entry in a trilogy of films produced for the U.S. government by John Huston. Some returning combat veterans suffer scars that are more psychological than physical. This film follows patients and staff during their treatment. It deals with what would now be called PTSD, but at the time was categorised as psychoneurosis or shell-shock. Government officials deemed this 1946 film counterproductive to postwar efforts; it was not shown publicly until 1981.
A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.
Follow the evolution of the 'Halloween' movies over the past twenty-five years. It examines why the films are so popular and revisits many of the original locations used in the films - seeing the effects on the local community. For the first time, cast, crew, critics and fans join together in the ultimate 'Halloween' retrospective.
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
